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The Drunkard's Walk: How Randomness Rules Our Lives

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The Drunkard's Walk: How Randomness Rules Our Lives

Author: Leonard Mlodinow
ASIN : 0375424040
Sales Rank : 457
Studio : Pantheon
Binding : Hardcover
EAN : 9780375424045
ISBN : 0375424040
Number Of Pages : 272
Publication Date : December 13, 2008
Release Date : December 13, 2008
Publisher : Pantheon
Manufacturer : Pantheon
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Label : Pantheon

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In this irreverent and illuminating book, acclaimed writer and scientist Leonard Mlodinow shows us how randomness, change, and probability reveal a tremendous amount about our daily lives, and how we misunderstand the significance of everything from a casual conversation to a major financial setback. As a result, successes and failures in life are often attributed to clear and obvious cases, when in actuality they are more profoundly influenced by chance.

The rise and fall of your favorite movie star of the most reviled CEO--in fact, of all our destinies--reflects as much as planning and innate abilities. Even the legendary Roger Maris, who beat Babe Ruth's single-season home run record, was in all likelihood not great but just lucky. And it might be shocking to realize that you are twice as likely to be killed in a car accident on your way to buying a lottery ticket than you are to win the lottery.

How could it have happened that a wine was given five out of five stars, the highest rating, in one journal and in another it was called the worst wine of the decade? Mlodinow vividly demonstrates how wine ratings, school grades, political polls, and many other things in daily life are less reliable than we believe. By showing us the true nature of change and revealing the psychological illusions that cause us to misjudge the world around us, Mlodinow gives fresh insight into what is really meaningful and how we can make decisions based on a deeper truth. From the classroom to the courtroom, from financial markets to supermarkets, from the doctor's office to the Oval Office, Mlodinow's insights will intrigue, awe, and inspire.

Offering readers not only a tour of randomness, chance, and probability but also a new way of looking at the world, this original, unexpected journey reminds us that much in our lives is about as predictable as the steps of a stumbling man fresh from a night at the bar.

Amazon.com Review

Amazon Guest Review: Stephen Hawking
Published in 1988, Stephen Hawking’s A Brief History of Time became perhaps one of the unlikeliest bestsellers in history: a not-so-dumbed-down exploration of physics and the universe that occupied the London Sunday Times bestseller list for 237 weeks. Later successes include 1995’s A Briefer History of Time, The Universe in a Nutshell, and God Created the Integers: The Mathematical Breakthroughs that Changed History. Stephen Hawking is Lucasian Professor of Mathematics at the University of Cambridge.

In The Drunkard’s Walk Leonard Mlodinow provides readers with a wonderfully readable guide to how the mathematical laws of randomness affect our lives. With insight he shows how the hallmarks of chance are apparent in the course of events all around us. The understanding of randomness has brought about profound changes in the way we view our surroundings, and our universe. I am pleased that Leonard has skillfully explained this important branch of mathematics. --Stephen Hawking

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Einstein: His Life and Universe

Author: Walter Isaacson
ASIN : 0743264746
Sales Rank : 3261
Studio : Simon & Schuster
Binding : Paperback
EAN : 9780743264747
ISBN : 0743264746
Number Of Pages : 704
Publication Date : December 13, 2008
Publisher : Simon & Schuster
Manufacturer : Simon & Schuster
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Label : Simon & Schuster

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By the author of the acclaimed bestseller Benjamin Franklin, this is the first full biography of Albert Einstein since all of his papers have become available.

How did his mind work? What made him a genius? Isaacson's biography shows how his scientific imagination sprang from the rebellious nature of his personality. His fascinating story is a testament to the connection between creativity and freedom.

Based on newly released personal letters of Einstein, this book explores how an imaginative, impertinent patent clerk -- a struggling father in a difficult marriage who couldn't get a teaching job or a doctorate -- became the mind reader of the creator of the cosmos, the locksmith of the mysteries of the atom and the universe. His success came from questioning conventional wisdom and marveling at mysteries that struck others as mundane. This led him to embrace a morality and politics based on respect for free minds, free spirits, and free individuals.

These traits are just as vital for this new century of globalization, in which our success will depend on our creativity, as they were for the beginning of the last century, when Einstein helped usher in the modern age.

Amazon.com Review

As a scientist, Albert Einstein is undoubtedly the most epic among 20th-century thinkers. Albert Einstein as a man, however, has been a much harder portrait to paint, and what we know of him as a husband, father, and friend is fragmentary at best. With Einstein: His Life and Universe, Walter Isaacson (author of the bestselling biographies Benjamin Franklin and Kissinger) brings Einstein's experience of life, love, and intellectual discovery into brilliant focus. The book is the first biography to tackle Einstein's enormous volume of personal correspondence that heretofore had been sealed from the public, and it's hard to imagine another book that could do such a richly textured and complicated life as Einstein's the same thoughtful justice. Isaacson is a master of the form and this latest opus is at once arresting and wonderfully revelatory. --Anne Bartholomew

Read "The Light-Beam Rider," the first chapter of Walter Isaacson's Einstein: His Life and Universe.

Five Questions for Walter Isaacson

Amazon.com: What kind of scientific education did you have to give yourself to be able to understand and explain Einstein's ideas?

Isaacson: I've always loved science, and I had a group of great physicists--such as Brian Greene, Lawrence Krauss, and Murray Gell-Mann--who tutored me, helped me learn the physics, and checked various versions of my book. I also learned the tensor calculus underlying general relativity, but tried to avoid spending too much time on it in the book. I wanted to capture the imaginative beauty of Einstein's scientific leaps, but I hope folks who want to delve more deeply into the science will read Einstein books by such scientists as Abraham Pais, Jeremy Bernstein, Brian Greene, and others.

Amazon.com: That Einstein was a clerk in the Swiss Patent Office when he revolutionized our understanding of the physical world has often been treated as ironic or even absurd. But you argue that in many ways his time there fostered his discoveries. Could you explain?

Isaacson: I think he was lucky to be at the patent office rather than serving as an acolyte in the academy trying to please senior professors and teach the conventional wisdom. As a patent examiner, he got to visualize the physical realities underlying scientific concepts. He had a boss who told him to question every premise and assumption. And as Peter Galison shows in Einstein's Clocks, Poincare's Maps, many of the patent applications involved synchronizing clocks using signals that traveled at the speed of light. So with his office-mate Michele Besso as a sounding board, he was primed to make the leap to special relativity.

Amazon.com: That time in the patent office makes him sound far more like a practical scientist and tinkerer than the usual image of the wild-haired professor, and more like your previous biographical subject, the multitalented but eminently earthly Benjamin Franklin. Did you see connections between them?

Isaacson: I like writing about creativity, and that's what Franklin and Einstein shared. They also had great curiosity and imagination. But Franklin was a more practical man who was not very theoretical, and Einstein was the opposite in that regard.

Amazon.com: Of the many legends that have accumulated around Einstein, what did you find to be least true? Most true?

Isaacson: The least true legend is that he failed math as a schoolboy. He was actually great in math, because he could visualize equations. He knew they were nature's brushstrokes for painting her wonders. For example, he could look at Maxwell's equations and marvel at what it would be like to ride alongside a light wave, and he could look at Max Planck's equations about radiation and realize that Planck's constant meant that light was a particle as well as a wave. The most true legend is how rebellious and defiant of authority he was. You see it in his politics, his personal life, and his science.

Amazon.com: At Time and CNN and the Aspen Institute, you've worked with many of the leading thinkers and leaders of the day. Now that you've had the chance to get to know Einstein so well, did he remind you of anyone from our day who shares at least some of his remarkable qualities?

Isaacson: There are many creative scientists, most notably Stephen Hawking, who wrote the essay on Einstein as "Person of the Century" when I was editor of Time. In the world of technology, Steve Jobs has the same creative imagination and ability to think differently that distinguished Einstein, and Bill Gates has the same intellectual intensity. I wish I knew politicians who had the creativity and human instincts of Einstein, or for that matter the wise feel for our common values of Benjamin Franklin.

More to Explore

Benjamin Franklin: An American Life

Kissinger: A Biography
The Wise Men: Six Friends and the World They Made

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Icarus at the Edge of Time

Author: Brian Greene
ASIN : 0307268888
Sales Rank : 7629
Studio : Knopf
Binding : Board book
EAN : 9780307268884
ISBN : 0307268888
Number Of Pages : 34
Publication Date : December 02, 2008
Release Date : December 02, 2008
Publisher : Knopf
Manufacturer : Knopf
Availability : Usually ships in 24 hours
Label : Knopf

Amazon.com Review

Product Description
From one of America's leading physicists--a moving and visually stunning futuristic re-imagining of the Icarus fable written for kids and those journeying with them toward a deeper appreciation of the cosmos.

With a minimum of words set on 34 full color boardbook pages, Icarus travels not to the sun, but to a black hole, and in so doing poignantly dramatizes one of Einstein's greatest insights.

Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom.

An Interview with Author Brian Greene

Q: After writing two big four-hundred-plus page bestselling books, what made you decide to write an illustrated book for all ages?
A: There's an emotional side to science which the general public rarely experiences. When Einstein's calculations in 1916 showed that his new general theory of relativity could explain strange aspects of the planet Mercury's motion, he experienced--by his own description--heart palpitations. He'd revealed a fundamental cosmic truth and it filled him with awe and reverie. Yet, by contrast, in the public sphere science is still largely viewed as merely a cold body of knowledge. To many people, science is aloof, distant, abstract. I remember, some years back, reading a poem of Whitman’s about an astronomy student who grows tired and frustrated by his professor's teachings, and blissfully leaves the class to go outside, look skyward, and simply experience the wonderment of the star filled heavens. There are many for whom this poem would resonate. This highlights for me the need for people to connect with science in a new way--outside of the classroom and beyond the textbooks. My two previous books tried to make some heady ideas of modern physics widely available, and they did this through straightforward exposition. In Icarus At The Edge Of Time, my intention is to open a different kind of avenue onto science--a more visceral, more emotional side that a fictional narrative more readily accesses.

Q: Where did the idea to re-imagine the Icarus legend (set in outer space and involving black holes!) come from?
A: I recently told my two and a half year old son a bedtime story that involved space travelers moving near the speed of light. Within days he was telling his own animated stories of dinosaurs and monsters outrunning a new and wonderful concept--"the speed of dark." Which got me thinking. Storytelling is our most basic and powerful means of communication. We listen with a different kind of intensity--and open ourselves most fully--to a gripping tale. So why not allow some of science’s greatest wonders to be experienced not through pedagogy but through the force of narrative? Science in fiction, as opposed to science fiction. Scientific insights that are absorbed rather than studied. Icarus At The Edge Of Time is my first attempt to explore this terrain. Instead of a journey near the sun--a "light" star--Icarus heads to a black hole--a "dark" star. And then the wonders of Einstein's relativity kick in, warping the more familiar ending into a painful conclusion, to be sure, but perhaps one that's more hopeful than the original.

Q: The story of Icarus is a cautionary tale, what do you think it has to say when applied (as it is here) to the nature of scientific exploration of the universe?
A: Great scientists are great adventurers, boldly exploring unknown terrain--"anxiously searching" as Einstein once put it "for a truth one feels but cannot find, until final emergence into the light." Icarus's fearlessness fits this profile to a "T". But there's another side to scientific exploration. Scientific research has the capacity to reveal realms that turn the status quo on its head. And when this happens, we're often not prepared--as a society we're often not sufficiently mature--to take on the responsibility that such new realms can require.

From nuclear knowledge to stem cells, from global climate change to cloning, science not only opens up new vistas but confronts us with profound challenges. In this new version of the Icarus tale, Icarus's unrestrained explorations take him, literally, to a startling new realm--one in which the universe as he knew it becomes forever beyond his reach. We can imagine him maturing into his new life and experience, but we also feel the wrenching pain of his being torn from his familiar reality--and from his family--and entering a completely new world--the very process of maturation we collectively navigate as science rewrites the rules of what's possible.

Q: Who do you see as the audience for this book?
A: The intended audience is broad. While I've found that science-enthusiasts get a big kick out of the story (it's not often that general relativity is the lynch pin in a narrative!), I wrote the story with two kinds of imaginary readers looking over my shoulder--adults who don't generally have much contact with science, and kids who love a short adventure story.

Q: Since the writing of your last book you have become a father. How has fatherhood impacted you as a writer?
A: I feel a stronger urge to go beyond a connection with readers that's purely intellectual. The intellectual side is critical of course. But I think you communicate far more effectively if you can engage the reader on multiple levels. I've always felt this way. But I now experience it everyday--all the time--with my son, and also my one-year-old daughter. Fatherhood has heightened my recognition that to communicate you need an emotional link.

Q: Your passion for science and making it come alive for people of all ages is well known--as evidenced through your founding of The World Science Festival and also in a recent New York Times op-ed in which you wrote about "the powerful role science can play in giving life context and meaning," and stated, "It's the birthright of every child, it's a necessity for every adult, to look out on the world . . . and see that the wonder of the cosmos transcends everything that divides us." How do you feel about the way Science is taught in most schools today and what would be the biggest changes you would recommend?
A: We need to get beyond the urge--however important--of merely teaching kids the results of science, the methods of science. We need to communicate the stories of science. If a kid thinks of science as a subject taught in a classroom, we've failed. Kids need to think of science as the greatest of adventure stories as we've sought to understand ourselves and the universe around us. Kids need to recognize that science is a perspective, a way of life--it's something you hold with you long, long after you leave the classroom.

Q: What were some of the books that most inspired your passion for Science?
A: When I was really young, it wasn't actually books that inspired me. It was great teachers. From my dad (a self-educated high-school drop-out) to a couple of public school teachers where I grew up in New York City, I was fortunate to be surrounded by people who knew how to nurture and excite a young mind.

Q: So do you think anyone will ever actually find out what happens at the center of a black hole?
A: Absolutely. But not by jumping in.

Q: Is it a challenge, as a physicist and mathematician to write in a way that everyone understands?
A: It is a challenge, but for me its both a useful and exciting one. I find that translating cutting-edge research into more familiar language forces me to strip away extraneous details and zero in on the core ideas. Often, this helps me to organize my own thoughts and has even suggested research directions. And it's exciting to see ideas that are close to my heart and those of other researchers in the field reach a wider audience. The questions we are tackling are universal, and everyone deserves the right to enjoy the progress we're making.

Q: What are black holes and what do they tell us about the nature of universe?
A: Black holes are regions of space filled with such intense gravity that anything which gets too close, even light, is unable to escape. Although Albert Einstein’s insights led to the idea of black holes, he remained skeptical about their existence. Yet, in the decades since, a wealth of astronomical observations have provided strong evidence that black holes not only exist in the cosmos, they’re commonplace.

Black holes have a profound effect on time: their gravitational force pulls on time itself, slowing its rate of passage ever more as one gets ever nearer a black hole’s edge. Because of this, black holes provide for a specific kind of time travel. Were you to hover near the edge of a black hole, time for you would pass more slowly than for everyone else who remained far away. On returning to Earth you would thus find that hundreds or even thousands of years had elapsed, depending on the size of the black hole and how close you ventured to its edge.

Scientists still haven’t figured out what happens at the very center of a black hole. Einstein’s mathematics breaks down and so provides no insight. Some scientists have suggested that a black hole’s center is where time comes to an end while others have proposed that it’s a portal to another universe. Finding the definitive answer is widely recognized as one of the great remaining challenges in our continuing quest to understand space, time and the cosmos.

Q: How close are we to really understanding the nature of the universe?
A: Sometimes I think the final theory is just around the corner. Sometimes I think such thoughts are naive. The bottom line is I don't know, but what we're learning is so startling, that in a way it doesn't matter. When or if we reach the deepest understanding, it will be a major moment for our species. But until then, making progress at unraveling the cosmos is its own reward.

Q: Where did you get the idea to illustrate this book with photos from the Hubble Space Telescope?
A: That was Chip Kidd's idea. On reading the story he immediately felt that an abstract, as opposed to literal, visual treatment would be most effective. I agreed completely. And was kind of blown away when he came up with this design. It is so simple, but so powerful.

(Photo Credit: Andrea Cross)

Designer Chip Kidd Discusses His Vision for Icarus at the Edge of Time

Q: So Chip, where did the inspiration for this design come from?
A: The genesis, if you will, of the design and art direction of Icarus at the Edge of Time represents (for me), a prime example of design challenges at its purest and most exhilarating. In the spring of 2007, Marty Asher (Brian Greene's editor at Knopf) brought me Brian's manuscript of a fable of a teenage boy-genius (Icarus) who lives on a starship heading back to Earth after a generations-long mission and, against the stern warnings of his scientist father, commandeers a sort of pod-ship to go explore a black hole. When he returns from doing so, he finds that everything he knew has changed, and he learns a devastating lesson.

The story takes place in deep space, and as I was reading it, my mind instantly flashed to those incredible images that have been beamed back from the Hubble telescope. A quick investigation into the Hubble website bore out the fact that a) these images are in the public domain, and b) you can literally download good hi-resolution files of them from the site. Honestly, this discovery made me feel good about paying my taxes for the first time in decades. Anyway, the idea was born to illustrate the text metaphorically rather than literally. Although it is a fantastic tale, Brian grounds it in very real science, so the most appropriate thing was to show actual pictures of space (which happen to be jaw-droppingly gorgeous) as opposed to having someone draw or paint them.

In that sense it became like designing the cover of Jurassic Park all over again--you start with something concrete and real (a diagram of an existing T-Rex skeleton) and apply it to a fictional conceit. So you end up with what just might be outside Icarus's window as he hurtles through space. Added to that is a graphic element that represents the approaching and receding black hole, which is literally that--a small black circle appears smack dab in the center of the second spread and slowly grows as you read the book. Then, when it's so relatively large it threatens to completely consume everything, it slowly starts shrink (as Icarus pulls the pod-craft back away from it), until by the end of the book it disappears and is replaced by the Earth. If you have trouble picturing that, you'll just have to see the book! I thank Brian for the opportunity to work on it, and urge you all to check it out. Learning scientific space-physics was never so beautiful. –CK

(Photo Courtesy of Chip Kidd)

A Look Inside Icarus at the Edge of Time
(Click on Images to Enlarge)

The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory

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The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory

Author: Brian Greene
ASIN : 0393058581
Sales Rank : 6763
Studio : W. W. Norton & Company
Binding : Hardcover
EAN : 9780393058581
ISBN : 0393058581
Number Of Pages : 464
Publication Date : December 20, 2003
Publisher : W. W. Norton & Company
Manufacturer : W. W. Norton & Company
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Label : W. W. Norton & Company

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A new edition of the New York Times bestseller—now a three-part Nova special on PBS-TV coming in Fall 2003: a fascinating and thought-provoking journey through the mysteries of space, time, and matter.

Now with a new preface (not in any other edition) that will review the enormous public reception of the relatively obscure string theory—made possible by this book and an increased number of adherents amongst physicists—The Elegant Universe "sets a standard that will be hard to beat" (New York Times Book Review). Brian Greene, one of the world's leading string theorists, peels away the layers of mystery surrounding string theory to reveal a universe that consists of eleven dimensions, where the fabric of space tears and repairs itself, and all matter—from the smallest quarks to the most gargantuan supernovas—is generated by the vibrations of microscopically tiny loops of energy.

Today physicists and mathematicians throughout the world are feverishly working on one of the most ambitious theories ever proposed: superstring theory. String theory, as it is often called, is the key to the Unified Field Theory that eluded Einstein for more than thirty years. Finally, the century-old antagonism between the large and the small-General Relativity and Quantum Theory-is resolved. String theory proclaims that all of the wondrous happenings in the universe, from the frantic dancing of subatomic quarks to the majestic swirling of heavenly galaxies, are reflections of one grand physical principle and manifestations of one single entity: microscopically tiny vibrating loops of energy, a billionth of a billionth the size of an atom. In this brilliantly articulated and refreshingly clear book, Greene relates the scientific story and the human struggle behind twentieth-century physics' search for a theory of everything.

Through the masterful use of metaphor and analogy, The Elegant Universe makes some of the most sophisticated concepts ever contemplated viscerally accessible and thoroughly entertaining, bringing us closer than ever to understanding how the universe works.

Amazon.com Review

There is an ill-concealed skeleton in the closet of physics: "As they are currently formulated, general relativity and quantum mechanics cannot both be right." Each is exceedingly accurate in its field: general relativity explains the behavior of the universe at large scales, while quantum mechanics describes the behavior of subatomic particles. Yet the theories collide horribly under extreme conditions such as black holes or times close to the big bang. Brian Greene, a specialist in quantum field theory, believes that the two pillars of physics can be reconciled in superstring theory, a theory of everything.

Superstring theory has been called "a part of 21st-century physics that fell by chance into the 20th century." In other words, it isn't all worked out yet. Despite the uncertainties--"string theorists work to find approximate solutions to approximate equations"--Greene gives a tour of string theory solid enough to satisfy the scientifically literate.

Though Ed Witten of the Institute for Advanced Study is in many ways the human hero of The Elegant Universe, it is not a human-side-of-physics story. Greene's focus throughout is the science, and he gives the nonspecialist at least an illusion of understanding--or the sense of knowing what it is that you don't know. And that is traditionally the first step on the road to knowledge. --Mary Ellen Curtin

The Fabric of the Cosmos: Space, Time, and the Texture of Reality

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The Fabric of the Cosmos: Space, Time, and the Texture of Reality

Author: Brian Greene
ASIN : 0375727205
Sales Rank : 3236
Studio : Vintage
Binding : Paperback
EAN : 9780375727207
ISBN : 0375727205
Number Of Pages : 592
Publication Date : December 08, 2005
Release Date : December 08, 2005
Publisher : Vintage
Manufacturer : Vintage
Availability : Usually ships in 24 hours
Label : Vintage

Product Description

From Brian Greene, one of the world’s leading physicists and author the Pulitzer Prize finalist The Elegant Universe, comes a grand tour of the universe that makes us look at reality in a completely different way.

Space and time form the very fabric of the cosmos. Yet they remain among the most mysterious of concepts. Is space an entity? Why does time have a direction? Could the universe exist without space and time? Can we travel to the past? From Newton’s unchanging realm in which space and time are absolute, to Einstein’s fluid conception of spacetime, to quantum mechanics’ entangled arena where vastly distant objects can instantaneously coordinate their behavior, Greene takes us all, regardless of our scientific backgrounds, on an irresistible and revelatory journey to the new layers of reality that modern physics has discovered lying just beneath the surface of our everyday world.

Amazon.com Review

As a boy, Brian Greene read Albert Camus' The Myth of Sisyphus and was transformed. Camus, in Greene's paraphrase, insisted that the hero triumphs "by relinquishing everything beyond immediate experience." After wrestling with this idea, however, Greene rejected Camus and realized that his true idols were physicists; scientists who struggled "to assess life and to experience the universe at all possible levels, not just those that happened to be accessible to our frail human senses." His driving question in The Fabric of the Cosmos, then, is fundamental: "What is reality?" Over sixteen chapters, he traces the evolving human understanding of the substrate of the universe, from classical physics to ten-dimensional M-Theory.

Assuming an audience of non-specialists, Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and Inflationary Cosmology with analogies drawn from common experience. For the most part, he succeeds. His language reflects a deep passion for science and a gift for translating concepts into poetic images. When explaining, for example, the inability to see the higher dimensions inherent in string theory, Greene writes: "We don't see them because of the way we see…like an ant walking along a lily pad…we could be floating within a grand, expansive, higher-dimensional space."

For Greene, Rhodes Scholar and professor of physics and mathematics at Columbia University, speculative science is not always as thorough and successful. His discussion of teleportation, for example, introduces and then quickly tables a valuable philosophical probing of identity. The paradoxes of time travel, however, are treated with greater depth, and his vision of life in a three-brane universe is compelling and--to use his description for quantum reality--"weird."

In the final pages Greene turns from science fiction back to the fringes of science fact, and he returns with rigor to frame discoveries likely to be made in the coming decades. "We are, most definitely, still wandering in the jungle," he concludes. Thanks to Greene, though, some of the underbrush has been cleared. --Patrick O'Kelley

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The Drunkard's Walk: How Randomness Rules Our Lives

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This Is Your Brain on Music: The Science of a Human Obsession

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Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel

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Einstein: His Life and Universe

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A Brief History of Time

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Icarus at the Edge of Time

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The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory

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Physics for Future Presidents: The Science Behind the Headlines

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The Fabric of the Cosmos: Space, Time, and the Texture of Reality

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A Briefer History of Time

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